Amazing technic by Lyubomir Kolarov

"If you hear a voice within you saying, ''You are not a painter,'' then by all means paint… and that voice will be silenced."  ~ Vincent van Gogh

Miki, Queen of Goodaboom

Summer feeling!

Wallpaper Embroidery

Check out this – embroidering paint. The super amazing idea comes from Elien Pellinkhof, designer and illustrator from the Netherlands.

Elsa Beskow’s year in drawings

From Julias Vita Drömmar comes these amazing drawings of every month of the year, made by Swedish author and illustrator Elsa Beskow. So pretty in a children’s room!

Elsa Beskow was born in 1874 and died in 1953. Her father was Norwegian (had to mention that) and her mother was Swedish. She married former minister Natanael Beskow and they had six sons.

She published forty books and combined reality with the fairy tale world. Children met elves or goblins, and farm animals talked with people. Central were the relationships between children and adults and children's independent initiative.

Beskow became one of the most well known of all Swedish children's book authors. Many of her books have become classics and are reprinted still. She also illustrated ABC books and songbooks for Swedish schools.

Her books have been translated into many languages, among others; English, German, Arabian, Japanese, Polish and Norwegian.

One of her most known tales are about Aunt Green, Aunt Brown, Aunt Lavender and Uncle Blue. Her inspiration came from her own Aunts and her Uncle. This is the one I remember and read most often, by her.

Others I read were Aunt Brown’s Birthday, Peter and Lotta’s Adventure, Peter in Blueberry Land, Children of the Forest, Pelle’s new Suit and Uncle Blue’s new Boat. I read them again and again!

Have a look at her illustrated year:

Lars Van De Goor

Beautiful landscape images by very talented Dutch photographer Lars Van De Goor.

The Royal Swedish Opera

 

Since my Man recently became the head of security at The Swedish Royal Opera House, I thought I’d publish a blog about the historic building.

The opera company was founded by King Gustav III and its first performance, "Thetis and Phelée" with Carl Stenborg and Elisabeth Olin, was given on January 18, 1773; this was the first native speaking opera performed in Sweden.

But the first opera house was not opened until 1782 and served for a century before being replaced at the end of the 19th century. Both houses were officially called the "Royal Opera", however the terms "The Gustavian Opera" and "The Oscarian Opera", or the "Old" and "New" Opera are used when distinction is needed.

The original Stockholm Opera House, the work of architect Carl Fredrik Adelcrantz was commissioned by King Gustav III, a strong adherent of the ideal of an enlightened absolutism and as such was a great patron of the arts.

The Swedish Opera company had first been located in Bollhuset, but there was a need to separate the Opera from the theatre and give them separate buildings. Construction began in 1775 and the theatre was inaugurated on 30 September 1782 with a performance of the German composer Johann Gottlieb Naumann's Cora och Alonzo. It was also the place for public masquerade balls, events inspired from the famous opera-balls in Paris, which was open for everyone wearing a mask at a cheap cost and somewhat ill-reputed.

The Gustavian opera building in 1880:

The building was very imposing with its center Corinthian tetrastyle portico supporting four statues and topped by the royal crown. The four-tiered auditorium was oval in shape, had excellent acoustics and sight lines. The sumptuous foyer contained neoclassic medallions and pilasters.

It was in the foyer of the opera house where the king met his fate: during a masquerade on March 16, 1792, he was shot by Jacob Johan Anckarström, and died 7 days later. (In turn, this event inspired the opera Un Ballo in Maschera by Verdi.)

Following the assassination, the opera house was closed until 1 November 1792, when it was opened again, which by some was considered shocking.

The son of Gustav III, King Gustav IV Adolf of Sweden, did not like the Opera, possibly because of the murder of his father, and disliked the fact that the scene of his father's murder was used as a place of amusement and leisure, and when a frivolous play was performed for his queen Frederica of Baden in 1806, he decided to close it down. It remained closed until 1809, and when the king was deposed, it took until May 1812, before it was organised enough to be fully opened again.

You can find more information here!